P.P. 2019
As a child, I asked the adults why there is a table hanging on the crane, even though the construction site was already closed. The table turned out to be a table saw and they told me that the reason for this was to protect it from thievery. Something is pulled up on the crane to be protected? Strange.
The installations of the series P.P. consist of chains which previously were used to protect property. These chains protected it from redistribution or served to delineate spatial ownership. The series allows me to experiment with the relationship between property and security.
Installation view of P.P. at Kunsträume der Michael Horbach Stiftung, Cologne, GER, 2019
Installation view of P.P. at Kunsträume der Michael Horbach Stiftung, Cologne, GER, 2019
Detail view of P.P. at Kunsträume der Michael Horbach Stiftung, Cologne, GER, 2019
Installation view of P.P. at Galleri KiT, Trondheim, NOR, 2019
Installation view of P.P. at Bistro 21, Leipzig, GER, 2019
Installation view of P.P. at Goeben, Berlin, GER, 2020
Credits:
acknowledgement: Malte Möller, Max Brück, Anna Boldt, Nora Langen, Manuel Schneidewind, Christian Bär // photo at Goeben: Stefan Haehnel